Here's a bit of flash and fun: the double drcles in each earring move independently of one another.

Place the JOined un,ts oo a flat surface so they re all side by side. Shift tho first unit so it's above the others.

Open another 3/8 -inch jump ring. Between the first and second units, lace the jump ring tl"'rough the 7 -mm 0-ring that's shared by three closed t..-inch Jump rings. Laca the same jump ring through the ends of the 12-mm 0 -ring that's shared by one closed nch jump r1ng. as shown on the photo. Close the Jump ring.

Attach the bottom comers between the first two units in tho same manner. us1ng another jump ring.

Add an additional jump ring to each of the matched corners in the same manner.

Join the beginning oftne length to the end in the same manner. Rotate all of the jump rings to hide the cut ends.

earrings instructions
Create o ne basic element using two 12-rnm 0-nngs. one 7-mm O·ring, and two rings on a c losed )'.-inch jump ring (page 22).

Make another basic element on the same closed jump ring.

materials + tools

materials + tools
24 light blue 0-rings,
15x 10x2.5 mm
48 dc:vk green 0-ri n95. 7 x 3 x 2 mm
24 turquoise 0-fings. 12 x 8 x 2 mm
24 black 0 -rings. 7 x 3 x 2 mm
24 green 16-gauge anodized
aluminum jump rings. Inch AouncJ.nose pli015
Flat-nose pliers, 2 pair

instructions
Create 24 basic elements.
each w ith o ne 1 5-mm 0 -ring and
two dark g reen 7-mm 0 -rings
(page 21) Create 24 additio nal
basic elements. each with o ne
12-mm 0-ring and one blac k 7-mm
a-ring. Use 1hB round-nose pliers
to make all of the elements.

Insert the round-nose p liers
through the end of one of the
15-mm elements, and pull one e nd

of a 12-mm e lement through.

Open a jump ring using both
flat-nose p liers for this process and
as needed for the follow ing steps
(page 16). Lace the jump r ing
through the end of the 12-mm element
you just pu lled through.

tnsert the round-nose pliers
through the e nd of a second
15-mm element. and putllhrough
the free end of the 12-mm e lement
you attac hed In step 2.

Open another jump ring .
Lace it through the free e nd o f
the 12-mm e lement.

Insert the round-nose phers.
tram t he inSide of the developing
length, through the free end of the
second 15-mm e lement. Pull another
12-mm e lement through.

Start with the three elements

Start with the three elements that form the Triangles
Bracelet (page 30). Add another, and you've got the
four-unit shape that's the foundation of this piece.

How To Make colorful Chain Mail Jewelry?

Open another inch jump ring, and lace it through the end of Element D that you didn't pull through Element C. Also lace the open jump ring through the attached end o f the closest 0-dng (Element A) and the nelghbonng three 4.8-mm 0 -rings that are part of Element 8. Close the jump ring.

Attach additional elements in the same manner-adding another basic element and then attaching a jump ring at the opposite end-until you've joined alllhe elements or until the necklace Is the deslred length.

Open another ~a -inch jump ring. Lace rt through the free end o f the last element, the closest attached end of an 0-ring, and the three 4.8-mm 0-rings.

Open another ~c -inch jump ring, Lace It around-not through- the last 0 -ring you added. Also lace the open jump ring through the loop on the toggle bar. Close the jump ring.

Open all three of the %-inch jump rings. Lace one through each of the focal beads. Before closing the jump rings, lace each one onto the black 12-mm 0-nng.

Open the jump ring at the beginning of the necklace (the end that doesn't hOld the toggle bar), and lace it through the 12-mm 0-ring with the three beads. Close the jump ring.

Lay the necklace on a flat surface. Press down on the edges to shape the piece. Rotate all the jump rings to hide the cut ends. To close the finished piece, insert the toggle, from back to front, through the black 12-mm 0-ring at the opposite end.

1-1

1-2

1-3

1-4

1-5

1-6

1-7

1-8

1-10

Link It! Colorful Chain Mail Jewelry with Rubber O-Rings

It's a brand-new way of making jewelry, USing colorful new ma· terials to create lnnovatave textures and lntncate designs. Modern chain maJI designs for jewelry call tor rings that are more comfortable to woar-stlvor. stemless steel. rubber, or noopreno. I began working with aluminum and rubber nngs, rephcat ng the tradttional weaves. Then I started expenmenting with more and more rubber rings. How many could 11nclude In one piece? How could 1 connect them all? The answer was surpnstngly simple wtth jump nngs. of course! That settled, I was on my way.

When people see the Jewelry I've made on this style, the question I'm asked most often Is simply this: "Where did you coma up with this stuff?" My answer is that this type of jewelry denves from a httle tmagtnat•on and many hours of trial and error.

An art teacher for the past 20 years, I've teamed from students there is no single nght way to create. All the rules In art can, will, should. and must be brokenl "Look beyond the obvious, .. I tell my students. "Don't sottlo for your first or even your second idea Keep thnktng, looktng, and experimenting to make your creatton untque.

By manipulattng the geometric shape or a rubber nng, I designed what I cotned "the three basic ele ments." One basiC elemef'lt was tnangular. which stumped me. What kind of jewelry ts triangular? Then I remembered introducing my printmaking students to the works of M.C. Escher. and 1 knew 1 could tessellate any tnangle Into a rectangle

As I experimented, I combtned the basic elements into groups called u n•ts. From there. it was an easy matter to cold-connect units into a chain. Patterns emerged. Beginning w tth simple deSigns. the basic elements evolved to become the foundations for the colorful and varied bracelets. necklaces, and earrings. you'll fmd in this book.